Friday, April 22, 2011

Australian Design Awards - Comments and Improvements

Sport & Leisure: Knog Tools





     
Designer
Catalyst Design Group

Client/Manufacturer
Knog Pty Ltd

Introduction:

The Knog tools are compact and connectable tools that can be used for various jobs. They are multifunctional in terms of the tools imbedded with neo-magnets for stacking and connecting ranges of tool heads to handles, therefore being interchangeable. They range from a 7, 12, 20 function tool, an adjustable shifter and pliers with the range of covers from hex keys to a 15mm wrench. The main structures of the tools are made out of anodized aluminium with harden steel still being compactable. It can also be used for opening a bottle.



Analysis:

PROS:
  • Pocket-size.
  • Neo-magnets for stacking multiple tools.
  • Opens your beer.
  • extremely compact.
  • easily carried outside environments.
  • hardened steel.
  • magnetic.
  • all tools are modular and interchangeable.
  • Tough high quality cold-forged tool.
  • Nickel plated steel chassis for robust construction.
  • the range covers everything from hex keys to a 15mm wrench.
  • anodized aluminium top plate.
  • rubber logo insert.
  • more fashion savvy individuals.
  • UNIQUE.
  • a range of anodized finishes to suit your style.
  • Clever ‘transformer-like’ unfolding design.
  • playful human interaction component.
  • rust proof, as aluminium.
  • Only tools required can be taken with you, therefore less weight to carry.

CONS:
  • The magnets might wear off over time and therefore the sturdiness of the tools isn’t up to their high standard and maximum force use.
  • Might collapse or fall apart from the magnetic connections when being used on tough jobs.
  • Can be easily lost or misplaced in places or tool box, as smaller and a compactable item.
  • Handles are tough on human form, when used with a lot of force.
  • Only can be used for smaller jobs.
  • Large enough to satisfy ergonomic form.
IDEAS A:

These ideas addresses the issues of strin on ones hand when force is applied on tool, projecting pain into the hands of the user as the edges of the metal are hard against the edges of the handles.

Examples: Tools Handles
    
    Sketches of Ideas A:
    IDEAS B:
    These ideas addresses the issues of the magnets in the design of the tools, as magnets strength wears off over time as well as it might not be as tough for jobs that require large force placed on the tool.
    Examples: Existing fasteners
Sketches of IDEAS B:




















IDEAS C:

These ideas address the issues of strain placed on hands when using the tool. These ideas require minium change to existing idea, just change in shape to minimise pain on hand.

Sketches of IDEAS C:




Friday, April 15, 2011

Project Two: Southern Cross Package Design Awards - Hero Shot

Most tinplate packaging came in the basic 3D cylindrical forms. However the design was focused in exploring the limitations of tinplate, by still having a 3d form, by adding curves, embossing, engraving and funnel forms. Firstly steps were taken to initiate an understanding of tinplate, meaning it is easy to melt/mould/recycle, soft, highly corrosion and fatigue –resistant and non-toxic. Knowing that tinplate is a combination of steel and tin, it acquires these properties in order to use safely and further explore different shapes of packaging.

So my final packaging would be made out of tinplate and acrylic material. For the purpose of the mock up, icreated my packaging out of wood.


Project Two: Southern Cross Package Design Awards - Ergonomics of Packageing

Ergonomics:


With the packaging, the edges of the tinplate have been curved. The most important curve of the design is the base curve were the radius of the curve fixes ergonomically well within ones hand. In addition to this there is a groove 16o indent in for the window, where the target market can place their thumb in that section of the package as a grip, so it will not slip out of their hand.

Project Two: Southern Cross Package Design Awards - Context of Use

My packaging can be used as a gift or for personal desire, when boought from retailer.

Project Two: Southern Cross Package Design Awards - Packaging On Shelf

The packaging is targeted to retailers, of higher selling goods meaning, such stores as boutiques for nuts, David Jones or Myers etc. So the image of the packaging reflects the value and quality of products sold in these shops and therefore the product suits the store, with a bold statement from shelf appeal.


The packaging will sit on the shelf firmly next to each other, but being less in width and more in height, the containers are able to stack horizontally closely together, meaning there can be more stocked on one shelf. However considering the store the items are placed, these premium products aren’t designed to stack one on top of each other, as it isn’t a wholesale industry, such as Coles, Woolworth or Aldie.

Project Two: Southern Cross Package Design Awards - Premium Packaging

Aesthetics:


Through exploring existing products of both nut packaging and premium designs, it had enabled the comparison and understanding of the differences in packaging. It had drawn a path of where the product is situated, the MIDDLE.

Project Two: Southern Cross Package Design Awards - Plans

PLAN 1:

Quantity:
The packaging was targeted for use between two people, or a gift to one or another. This container isn’t a family serving packaging, due to the target market presented above. The amount required to fit within the packaging was done by the exploration of supermarkets and retail stores, in which the quantity ranged between 150g – 225g, due to them being packaged for different purposes cooking, serving or eating. So a quantity was chosen within the range, 200grams. John Irwin was contacted who mentioned that this brief don’t specify, but he suggested quantities between 500g – 750g which is far too much for two people as a serving.




PLAN 2:
Transportation/Shelving/Purchasing/Use:


When transported from factory to retail shops, the size of the box has to be no bigger than 470 x 450 x 325mm each, as when employees have to stock shelfs the dispersing of the cardboard boxes from the trolley to the aisles must not be heavier than 20kg for the safety of person lifting the boxes. This was calculated: (knowing there are 48 packaging in one box)

(1) The amount of weight of the nuts and the packaging:
=320g

(2) The weight of the distribution box:
=15.36kg




Project Two: Southern Cross Package Design Awards - Development of Packaging

Shape:

The packaging is designed for dispensing macadamia nuts, which are one of the premium nuts sold. Knowing that Macadamia nuts are Australian made, the design hinted this with the reasons of using a hexagonal form. Having defined straight edges with slight curve, it references to the logo of Australian companies.

The shape was adapted further by placing curved edges on two sides of the packaging as an indication and influence to one’s eyes to observe and follow through to an acrylic window where the nuts are displayed.






I decided to go with the rich maroon colour(royal, superior), and the name Signiture. I was focused in looking for curvature fonts to reflect Signiture. The font was Lamina Scott SCH . As well as Constantia font was used for “Macadamia Nuts”, as it was intended to stand out from the company name, completely opposite to curves.
 
The design also involved a window in the centre of the packaging to reassure the customers that “what you see is what you get”.  Originally the design of the window was a rain drop shape, however when looking at the design as a whole, the shape of the window didn’t have any connection with the packaging.

It was found that when people look at products and other forms of design, they look at objects geometrically, and try to relate or reference the shape to something they have experienced or seen. Therefore it was required to explore other shapes, in order for the consumer to relate to the object as a superior, premium packaging for nuts. So i changed to a shape of a macadamia nut to have that connection to the packaging.


 
 
 


 
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Having the edges of the packaging straight, to allow the user to identify the product in way that reminds them of one person standing up straight, with chest out, back straight and head held high, and hand on hip which links back to the product being superior, proud to be on the shelf. It allows it to attract customers, compared to the cylindrical products already on the market. Being bold in form tolerates the attention that it needs for
customer’s as a premium product.

Project Two: Southern Cross Package Design Awards - Development of Shape

When looking at brief, one of the requirements were "The package may be of any shape, however, transport ...... should be taken into account. ".

As my final concept, it is in a shape of a rain drop with straight edges, meaning having uneven sides. This proposed a problem, in terms of the requirements as the shape will  not be the most practiable shape, when it comes to packaging it for distribution to retailers.



A Rain drop shape





The edges of shape were changed to be even, so
it turned out to be a hexagonal shape.





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Project Two: Southern Cross Package Design Awards - FINAL CONCEPT

Concept One was the FINAL CONCEPT for this brief. This packaging was designed for the purpose of macadamia nuts.

I felt that choosing this style of packaging was premium quality, bold, unique and different from other nut packaging out on retail. As well as it fitted the brief. For further explaination read my RATIONALE. (link)
Rationale



Project Two: Southern Cross Package Design Awards - Three Concepts

After developing who my packaging will be focused on, it drew a path to the development of three concepts. Whilst developing the three concepts, i was generating packaging names, the best ones that i came up with were:

- PLATINUM
- VINTAGE
- SIGNITURE

Concept ONE:


Concept TWO:

Concept THREE:






Project Two: Southern Cross Package Design Awards - Target Market

The market that was to be focused on the nut packaging was young middle age socialites between the ages of 30 – 40 years. These people work in business and have for a longer period of time compared to younger people just starting out. Meaning they have earned and saved money which in turn have gained a place in society. So it enables them to have a high end lifestyle, with luxurious choices, such as this premium nut packaging product. They have seen the value and quality of a product, as they have experienced a diverse range of products in their life time, so essentially they know what is best, looks and tastes like.

Project Two: Southern Cross Package Design Awards

Our next project involved entering the Southern Cross Package Design Awards. This competition consisted of choosing one of the 9 briefs and design packaging within teh constrants of the brief.

I chose Brief D – Nuts or Confectionery in Tin, which was to design a single unit package, manufactured predominately from tinplate, for a premium nut or confectionery product. The product is to be sold by a premium retailer to create awareness and increase sales. The packaging could be any shape, but most importantly focusing on transport and in particular shelf display. The packaging has to have strong grapgics to appeal to the target market. It must be eye-catching, attractive and have strong visual impact.

There are mandatory requirements involved within this breif.

Wednesday, March 30, 2011

Project One: Sheet Material - Rationale

My target markets that I chose to base my design around are men between the ages of 20-30 years old. They are business men, which during the week have a busy, a big schedule. As business man they go through a lot of paper usage, so he is aware of environmental issues, due to being in the corporate world. He is on a go to go basis, time and organisation is the key, so having simple tasks are best when it comes to additional errands apart for work. Apart from that he still has a healthy life, where he stays fit and on weekends his is relaxed in front of a bqq with a bunch of mates. So you can define his home as clean, simplistic with a balanced lifestyle, as is bombarded with a lot of business during the week.


In terms of objects, they see the values an object in performance and function more than an aesthetical please. But on the other hand they have money, who’s aren’t the type to spend for value but purpose. So when it came to choosing from the sheet material of aluminium, mild steel, acrylic and polypropylene, I chose to use acrylic material.

The reasons for my choice were due to the possibilities of moulding and bending, as well as the range of colour and textures acrylic is formed in. When using acrylic sheeting, I wanted to try to show the limitations and qualities of the material. As I researched the properties of materials, being hard, smooth, rigid, brittle, resistance to weather, great for outdoor use, but highly brittle.

Looking at the brittleness and rigidness of the material, I chose to design a recycling bin, as the purpose of the bin doesn’t involve it to hold a lot of weight. As well as this sheet material, come under the heading “plastic” which is seen as not a high level of value, which again suits the idea of the bin, because a bin isn’t valued as an expensive product similar to the value of the plastic. Therefore the choice of material suits the choice of designing a recycling bin, which in term will then satisfy the properties of eth material, as this paper bin will not require supporting a lot of weight, due to its rigidness.

When it came to design the form of the recycling bin, I wanted something simple and basic, but at the same time, projecting a systematic way to hold paper, still showing the characteristics of the material. The recycling bin was formed from a flat sheet of material, when bending and forming would be required to shape the bin, so through my design I avoided the use of fasteners. Having the idea of the bin come together by overlapping each other created the sense of a completed shape. The form of the bin is slightly angles on either side, as I wanted to differentiation my design from the existing cylindrical forms.

So I first decided that I wanted the form to slight have a curve shape, but when it come to talking to manufacturers, to see if my recycling bin was possible to be made, I found out that it was, but through the limited time that we had in producing my design it wouldn’t be possible, in terms of time. So there had to be some compromising in form to my design. In order to still have an enclosed form, I had to change the form slightly to be more squarish, as the perfect curves wouldn’t be possible. Instead of it being heated in an oven, particular parts of the plastic was heated on a strip heater, to get as close as possible to the design.

In my opinion the way the manufactured the design of the bin, to be more squish, has enhanced the design of the bin, but more the function of the bin. As the shape of the bin has invisible queues, for the way the target market can place the paper in the bin. The paper is meant to be placed vertical, across the large dimensions of the bin. It allows the papers to place neatly across the bin so the paper can be reused and printed with. If I kept my design, with the curves, when there is a lot paper piled together, it will eventually stay in a curve formation, which then will be hard to reuse, in a printer. In the end the form of the bin fit in with the contemporary, simple lifestyle of my target market, as well as enhancing his healthily and conscious lifestyle of the environment.

However through adding detail to the simplistic form, it enhanced the complexity of the design, but at the sometime, these details were for purpose. I decided to cut horizontal slights in the plastic as a form of grip. I added rounded and curved edges as my plastic is very brittle and rigid, so I was trying to reduce the chance of breakage.

These minimal details give a different perspective to the design of eth bin, rather than having a plain form. This was enhanced by the choice of colours that this bin could be made of. The reason why I chose black was as it was a neutral colour, which will most likely fit in with my target markets home, as well as having a bold colour will make it easier for my target market to recognise rather than need to search for the bin, in order to use it. Therefore this bin can come in other colours, of blue, green, grey, cream, white, which are bold so target markets busy schedule isn’t interrupted by looking for the paper bin. Having this material with a glossy finish also references back to my target markets glossy clean table tops.

When placing this recycling bin in my target markets office, it will stand out due to the bold chose of colour as well as unusual shape of a bin, which I was trying to achieve. In designing a recycling bin for the purpose of my target market as well as influencing the idea of recycling, my design is purposeful, from its shape, through to its intended use.

Project One: Sheet Material - Context of Use

Project One: Sheet Material - Final Product

Project One: Sheet Material - Sheet Material to Product


Project One: Sheet Material - Final Form

So I first decided that I wanted the form to slight have a curve shape, but when it come to talking to manufacturers, to see if my recycling bin was possible to be made, I found out that it was, but through the limited time that we had in producing my design it wouldn’t be possible, in terms of time.  So there had to be some compromising in form to my design. In order to still have an enclosed form, I had to change the form slightly to be more squarish, as the perfect curves wouldn’t be possible. Instead of it being heated in an oven, particular parts of the plastic was heated on a strip heater, to get as close as possible to the design.

Project One: Sheet Material - Developing Recycling Bin

Looking at the brittleness and rigidness of the material, I chose to design a recycling bin, as the purpose of the bin doesn’t involve it to hold a lot of weight. As well as this sheet material, come under the heading “plastic” which is seen as not a high level of value, which again suits the idea of the bin, because a bin isn’t valued as an expensive product similar to the value of the plastic. Therefore the choice of material suits the choice of designing a recycling bin, which in term will then satisfy the properties of eth material, as this paper bin will not require supporting a lot of weight, due to its rigidness.

I tried to explore little details on the design to enhance it to a finished product. I looked at grips and handles on the design for a purpose as well as enhancing the design.




 



 







Project One: Sheet Material - Three Concepts

From the brainstorming of all the three products I selected the best ones of each, to construct three concepts.

First CONCEPT: Recycling Bin






Relates to Target Market:
- Simplistic in form
- Contemporary through the bold colour of plastic
- Bold colours so target markets busy schedule isn’t interrupted by looking for the paper bin.
- Healthy living; environmental friendly – recycling paper
- As business man, uses paper in his day to day life

Relates to Acrylic Properties:
- It’s value complements the usage – not seen as “expensive”
- Mouldable: the shape is possible, enhancing its limitations and qualities
- Not a lot of weight in usage
- Comes in a range of bold colours.
- Having curved edges reduces the chances of breakage


 Second CONCEPT: Wine Rack

 


Relates to Target Market:

- Use: In his free time/celebration in business can get a bottle of wine from the rack.
- Contemporary home; glossy table tops, enhances the value of the plastic wine rack and adds to the decor.
- Adds to healthy living; one glass of wine a day.
- Status; will have wine

Relates to Acrylic Properties:
- Having wine on bottom brace with decrease the value of brittleness of the material, as most of the weight will be carried by the bottles.
- Mouldable: the shape is possible, enhancing its limitations and qualities
- Comes in a range of bold colours.
- Having curved edges reduces the chances of breakage
- is away from the possibility of bumps and scratches
- Good weather resistance; can be placed in storage outside/in cellars.

Third CONCEPT: Serving Tray







 








Relates to Target Market:
- One weekends he is relaxed and is in a quiet state of mind.
- Good for outdoor use: take the table outside, and can relax while reading the paper.
- Influences in the use of breakfast eating.
- Is clean and simplistic; reduces mess on tables
- Busy at work, tray is easy to place on top of piles of paper; to not dirty documents.
- Contemporary style; bold neutral colours as can be used when serving food with mates around a bqq.

Relates to Acrylic Properties:
- Good for outdoor use: take the table outside, and can relax while reading the paper.
- Limited in amount of weight of food on tray; one or two person serving capacity.
- Hard but rigid; flat areas of design are designed for support to weight.
- Slightly curved; to reduce stress (moulding creates stress)
- Comes in a range of bold colours
- Mouldable: the shape is possible, enhancing its limitations and qualities